The latest critic and user reviews, photos and cast info for Quiet Please: Murder. Directed by John Francis Larkin. With George Sanders, Gail Patrick, Richard Denning, Lynne Roberts. Book thief/forger sells a fake book to a Nazi through a female agent. Quiet Please, Murder (1. John Francis Larkin. Quiet, Please - Wikipedia. This article is about the radio program. For the animated cartoon short, see Quiet Please! Tom Kiesche (left) and Michael Lanahan in Corey Klemow's 2. Quiet, Please! Ernest Chappell was the show's announcer and lead actor. Quiet, Please debuted June 8, 1. Mutual Broadcasting System, and its last episode was broadcast June 2. ABC. A total of 1. Earning relatively little notice during its initial run, Quiet, Please has since been praised as one of the finest efforts of the golden age of American radio drama. Hand of the University of Glamorgan, in a detailed critical analysis of the series, argued that Cooper and Chappell . Wells's novel The War of the Worlds. Cooper was a writer for the Campbell Playhouse, and Chappell was the announcer. They became friends, though Chappell had little (if any) acting experience, Cooper imagined him as the star of a new radio program. Cooper's earlier Lights Out was famous for its gruesome stories and sound effects, but for Quiet, Please, Cooper would cultivate a subdued, slower- paced, and much quieter atmosphere that could still, at its best, match Lights Out for frights and thrills. Chappell had ample experience in radio, but mostly as an announcer. Chappell proved himself to be versatile in accent and delivery. Writer Harlan Ellison, a longtime Quiet, Please fan, writes that the programs were . A sound that combined urbanity with storytelling wisdom. Beginning in September, 1. ABC, though CBS executive Davidson Taylor expressed an interest in the show, writing in a memo in March 1. Then, the show's theme music was played, a dirgey, funereal organ and piano version of a portion of the second movement of C. The introduction established the sparse, understated tone of the show, and has inspired collectors and reviewers to remark upon Cooper's use of the dramatic power of silence. Though the general thrust of the stories were fantasy, horror and suspense, Cooper's Quiet, Please scripts covered a broad thematic range, including romance, science fiction, crime, family drama and humor (some of it quite self- deprecating). Dunning describes the show as . Hand also suggests that . Almost every episode of Quiet, Please begins with a sentence or two that hooks the listener, commanding their attention and their curiosity. Though supporting players were sparse, a group of New York radio veterans were heard on a frequent basis: as female characters, in male bit parts, or as the supernatural or otherworldly beings the ordinary Chappell character encounters. Get more information about Quiet Please Murder on TMDb. A public library at night is the setting for this fast-moving crime caper. Most notably, radio star Claudia Morgan (longtime voice of Nora Charles on The Adventures of the Thin Man, and not coincidentally, Ernest Chappell's wife) was an occasional female lead, usually in tragic romances, and was heard in the final show (the appropriately titled . Pat O'Malley, later a familiar TV character actor, was another frequent voice, heard in more than a dozen shows throughout the run, beginning with the first broadcast . Radio commentator and disc jockey Jack Lescoulie guest starred in the radio- themed . The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality. Quiet Please, Murder (1942) Director: John Larkin Writers: John Larkin (screenplay), Lawrence G. Blochman (story) Stars: George Sanders, Gail Patrick. Quiet Please, Murder Introduction. It is bewildering that Quiet Please, Murder isn’t listed in the filmography of any film noir reference book. Directed by: John Larkin. Starring: Lynne Roberts, Richard Denning, Gail Patrick, George Sanders. Rated the #173 best film of. These were usually unrehearsed, and often displayed Cooper's wry or morbid humor: . It's about a man who wished he could . As noted above, silence was often used masterfully; a 1. Oakland Tribune article by John Crosby notes, . Networks are horrified at the amount of dead air they purchase along with Cooper. He also wrote that Cooper . In 1. 94. 9, Harriett Cannon wrote, . Even the easily recognizable Bible stories are given a twist: . Cooper's scripts were, arguably, among the best of their era; Hand argues that . Love triangles were another frequent plot device for Quiet, Please. As with many radio programs to feature prominent organ accompaniment, Quiet, Please was a rather low- budget undertaking. The show's keyboardist (Albert Berman for most of the episodes), however, arguably utilized the instruments in a more innovative way than others. The show's theme was used as a plot device in at least three episodes: as a post- hypnotic trigger in by a hypnotist in . Another pair of episodes, though not directly sequels, both feature an enchanted watch that allows its bearer to time travel: (. Quiet, Please might have suffered from poor scheduling, which was often dependent upon a regular sponsor. During its first year, Quiet, Please was broadcast at 3. Its second season found the show at a more appropriate 9. Eastern Standard Time). The unusual title is a bit of oil worker argot: the . Hand of the University of Glamorgan notes that . Especially effective was Cecil Roy's vocal performance as the creature. Though she performs only very briefly, Roy's vocal (barely recognizable as human) was cited by Dunning as still startling and chill- inducing even after decades. According to Hand, Cooper's script for the episode was dizzyingly multilayered, blending authentic details of oil rig workers' daily activities, with elements of what might be termed . Hand writes that Cooper . Esau relates the tale of his girlfriend's odd fate after she discovered a conquistador's armor while exploring a well in Arizona, but he is repeatedly interrupted by her brother, who arrived uninvited for the broadcast. Chappell's character in . In the late 1. 98. Many of the recordings are of rather poor sound quality, but are nonetheless treasured by collectors. Currently in circulation are 8. All the episodes are believed to be in the public domain, and can be downloaded free of charge. Another 1. 7 are presumed lost, though, according to Hand, scripts survive for all of them. The fact that any episodes of Quiet, Please survive in general circulation might well be due to Chappell's efforts. He wrote to Cooper's widow Emily in 1. Stating that he would happily copy any episodes for Emily, Chappell further wrote that . They brought back such wonderful times and so many intimate memories of such a treasured friend. He discovered the show in his youth and states that even though the bulk of the episodes were lost for decades, several Quiet, Please episodes haunted his memory and exerted a strong influence on his writing. In a 1. 98. 1 column, Ellison wrote that he stumbled across one particular episode in his childhood, and afterwards, became a devoted Quiet, Please listener. He remembers the title of that episode as . What I heard that Sunday afternoon, so long ago, that has never left my thoughts for even one week, through all those years, was this. It is.. five miles down!? And I heard 'Five Miles Down' at least forty years ago. And it's still with me. In 2. 00. 4, Ellison took part in a recreation of the . Terror on the Air!: Horror Radio in America, 1. ISBN 0- 7. 86. 4- 2. Chapter 9 . Same Time, Same Station: An A- Z Radio Guide from Jack Benny to Howard Stern. ISBN 0- 8. 16. 0- 2. John Dunning. On The Air: The Encyclopedia of Old- Time Radio. New York: Oxford University Press, 1. ISBN 0- 1. 9- 5. 07. Harlan Ellison. Edgeworks I: Over the Edge/An Edge In My Voice. Clarkston, Georgia: White Wolf Publishing, 1. Archived from the original on October 2.
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